Alex Mincek

Heralded as the “new garde of the New York avant-garde” – New York Times

Works

Orchestra

Continuo (2015)
(for string quartet and orchestra)

Pendulum X: “Harmonielehre” (2013-15)
(for large orchestra)

Ebb and Flow (2011)
(for string orchestra)

“Call that Going…” (2001-03)

Chamber Orchestra

Nomadic Science (2023/24)
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Pendulum IX: “Machina/Humana” (2012)

Double Concerto (2008-2009)
(for flute, percussion and strings orchestra)

Few From Many (2004)

Umflut (2003)
(for tenor sax, horn, and chamber orchestra)

Large Ensemble/Sinfonietta

(8-16 players)

Assemblage: Trace/Mobile (2023-25)
(for flute, clarinet, tenor sax, trumpet, percussion, piano, string quartet)

Trace (2023)
(for flute, clarinet, tenor sax, percussion, piano, string trio)

So Many Ways (2021)
(for voice, flute, saxophone, percussion, piano, violin, cello and live electronics)

“…point, point, point, point…” (2018-20)
(for sinfonietta)
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Glossolalia (2017-19)
(for voice, flute, saxophone, percussion, piano, violin, cello and live electronics)
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Torrent (2016)
(for 2 percussionists, 2 pianos and string quartet)
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Pneuma (2015)
(for saxophone and ensemble)
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Cadeau (2014)
(for 9 instruments)

Chamber Concerto (2013)
(for 13 instruments)
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Donegal (2013)
(for sinfonietta)

Subito II (2013)
(for sinfonietta)

Pendulum VII (2011)
(for alto saxophone and ensemble)
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Pendulum V (2009)
(for 13 instruments and electronics)

Pendulum II: “Yap, Yaw, Yawp” (2005-06)
(for sinfonietta))

Chamber Ensemble

(3-7 players):

The Perpetual, Poly-Iterative, Multivalent, Transmodal, Vibe Maximizer (2022-2026)
(for four saxophones)

Pendulum Xl: “Strato” (2018-2020)
(for amplified string quartet and electric guitar)

Images of Duration (2015-2018)
(for 2 percussionists and 2 pianos)
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Lines of Convergence (2013)
(for 6 percussionists)

Number May Be Defined (2012)
(for voice, bass clarinet, trumpet and trombone)

Color – Form – Line (2011)
(for voice, alto flute, alto sax, tenor sax, percussion, piano and violin)
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Pendulum VI (2010)
(for 2 percussionists and piano four hands)

String Quartet No. 3 “lift-tilt-filter-split” (2010)
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Pendulum IV (2009)
(for contra bass flute, tenor sax, violin cello)

Poco a Poco (2008)
(for flute, clarinet, trumpet, piano, vln, vla, vc)

Subito (2008)
(for flute, clarinet, sax, piano, vln, vla, vc)

“it conceals within itself” (2007)
 (for piano and string trio)

To Nowhere From Nowhere (2006)
(for voice, alto flute, bass clarinet, tenor sax, piano, violin and cello)

Pendulum I (2004)
(for 2 saxophones, 2 electric guitars, 2 drum sets)

Second String Quartet: “Tenor” (2002)

Slalom (2002)
(for 2 saxophones, 2 electric guitars, 2 drum sets)

String Quartet No. 1: “pulse variations” (2001)

Two Players

Chorale 1: Sum + Difference (2016-18)
(for violin and piano)

Envelopes (2016-18)
(for violin and Piano)

Way (2017)
(for 2 violins)

Rendering II: Oblique (2016)
(for violin and Piano)

Vocalise (2015-16)
(for violin and Piano)

Rendering I: Blue Poles (2016)
(for violin and Piano)

For Petr Kotik (2012)
(for violin and Piano)
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Pendulum III (2009)
(for alto saxophone and piano)

Nucleus (2007)
(for saxophone and percussion)

Karate (2001/03)
(for 2 saxophones)

Solo Works

V (2012)
(for marimba)

Strata (2012)
(for amplified acoustic guitar)

Flutter (2012)
(for cello)

Pendulum XIII (2011)
(for prepared piano)

Ali (2010)
(for alto saxophone)
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Rascal (2001)
(for piano)

Stems (2001/03)
(for piano)
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Flows (2000/03)
(for piano)